Why it’s bad for potters to think of themselves as artists

Martin Gayford | The Spectator | 21st April 2018

The writer of this essay seems muddled. He admits the best pieces in this Cambridge show deserve comparison to Moore, Brancusi or Giacometti. However, he is perturbed by the craft / art demarcation being unclear. Some pieces (gasp) even have practical uses! An essay by the curator offers a steadier narrative. More images are here.