Chris O’Connell and Savannah Maher | Texas Observer | 21st October 2020
The art world is slowly waking up to indigenous art. As that happens, authentication becomes a priority. In the case of American indigenous art, forgery seems widespread. However, it’s difficult to be sure. A “careless chain of custody” doesn’t prove a work is a fake, and sometimes artists copied their own works. It’s an unwanted problem for communities who “remain marginalized by inaccurate representations, persistent cultural appropriation”.