Andrew Wagner | The White Review | 15th January 2019
Noland left the art world in 2000. In the absence of new works or interviews, she exists “mainly as a legend”. Now, suddenly, a survey show. Is it comeback or just contrariness? Whichever, it is a reminder of the potency of her bleak work. Her sculptures portray an America where “violence is synonymous with amusement … an openly exploitative society”.