The Easel


Is The Painting Counting?

To grasp the excitement (positive and negative) produced by Jasper Johns’s flag and target paintings of the mid- to late 1950s, you have to consider the situation of American painting at the time. That means thinking about Abstract Expressionism. In the mid-1950s, Barnett Newman was still making his zips. Willem de Kooning was churning out […]

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Richard Smith: The Incredible Lightness Of Being

Richard Smith has never tried to be mysterious. Indeed, he has programmatically rejected illusionism as optical trickery, intentionally exposing how his works are made, what they are made of and the sources of their inspiration. In the early Sixties, he was at the center of the “swinging London” scene that revolved around the Institute of […]

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