The Easel

21st October 2025

Wayne Thiebaud’s slices of Americana

Michael Prodger | The New Statesman | 15th October 2025

Thiebaud was never taken by “preachy” abstraction. He knew from working as an illustrator that his real love was the still life. That genre has a strong tradition in Europe leading this writer to emphasise that Thiebaud was addressing the classic still life problems – “lighting, colour, structure”.  Cezanne, one of his heroes, had declared that art should “treat nature in terms of the cylinder, the sphere and the cone”. Thiebaud, with his hot dogs, toffee apples and slices of cake, obliged.

New York’s Biggest Monet Show in 25 Years Is a Revelation

Alex Greenberger | ARTnews | 10th October 2025

Brooklyn Museum has been castigated for its superficial exhibitions. A show of Monet’s paintings from a reluctant visit to Venice in 1908 gets a more positive reception. Monet, noticing the changing autumnal weather and shifted “closer to abstraction”. The real consequence of that was evident when, on returning to France, he resumed work on the Water Lilies series he had been unable to finish. Feeling renewed, his lilies became swirls of pink and red paint, ever “farther from legible figuration”. Critics were delighted.

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