Rauschenberg’s New York and the problem of seeing only surfaces
Samuel Abrahms | newgeography | 26th September 2025
A spate of exhibitions mark Rauschenberg’s 100th anniversary. The fact there are so many shows is testimony to his diversity – painting, photography, collage, assemblage. Not all this work was of high quality, but it was always inventive. His photography, for example, was skilful but really stood out when incorporated into his complex, layered work. In that aspect, Rauschenberg was prescient, his fragmented urban imagery anticipating today’s “civic crisis”.