The Easel

17th February 2026

Eugène Atget, Readymade Icon

As Paris modernised, Atget had the idea of photographing the old cluttered parts of the city.  It turned into a 30-year project. He didn’t think of himself as an artist, describing his images merely as “documents”. They were utilitarian is style, notably views of buildings taken around dawn when the streets were empty. Somehow those quiet images felt unsettling. Few of his photographs were printed in his lifetime but Atget is now regarded as a “precursor of modern photography”.

10th February 2026

Prisoner of war

McCullin, for decades a war photographer, brought defining images of 20th century conflicts to British breakfast tables. As he tells it, that career was harrowing and, at times, left him feeling he had been “stealing from people’s lives by taking their images”. Nowadays he takes moody landscape images of Somerset and serene studies of Roman sculptures. These are arresting images but, observes one writer, “it is in proximity to devastation and death that McCullin’s work feels most alive.”