Hettie Judah | iNews | 16th November 2022
A Royal Academy group show of early twentieth century female artists is an “essay in rediscovery”. Kollwitz – the best known – is especially accomplished though many critics also note Modersohn-Becker’s “singular brilliance”. While stylistically diverse, they were collectively “central” to the emergence of German expressionism. Further, in contrast to the “masculinised gaze” of Gauguin and Picasso, this is “art rooted in the body, in feeling … a woman’s perspective”.