The Easel

Archives: The Guardian

6th June 2015

The Man Who Made Monet: How Impressionism was Saved from Obscurity

A story of the ‘art dealer as hero’. Impressionist painting in the 1870’s was mostly the object of derision. As luck would have it, Monet, Renoir and other Impressionists, received decades-long support from Paul Durand-Ruel, a conservative dealer on London’s New Bond St.  Durand-Ruel risked bankruptcy on more than one occasion but after finally gaining critical acclaim (initially in the US) sold Impressionist paintings seemingly by the truck load. “Without him, said Monet, we wouldn’t have survived”.

Why Magritte was Like a Stand Up Comedian

Magritte was a master of image and, in particular, puzzling images. This nice essay (by a comedy writer) draws out the parallels between Magritte’s art and comedy. The argument is not that his paintings are necessarily funny but rather that the contradictions they portray are similar to the way a joke is structured. “It was Magritte’s genius to construct images that are awkwardly resilient to straightforward resolution”

5th June 2015