The Easel

Archives: New York Review of Books

7th June 2015

Bernini: He Had the Touch

For 17th century popes, Bernini was the go-to guy for busts and sculptures. Besides being affable and highly religious he worked tirelessly and could be relied on to finish a commission. Inspired by Caravaggio’s natural style, he took Baroque sculpture to its zenith. Looking at a terra cotta model, Pope Innocent reportedly said “the only way to resist executing one of his works is not to see them”.

Gawking at Quixote

Cervantes’ Don Quixote is perhaps literature’s greatest comic hero. Charles Coypel, painter to Louis XV, produced a celebrated series of paintings to be made into tapestries. On the 400th anniversary of Cervantes’ work, the Frick is showing some of these tapestries next to their matching paintings. “There is a sense here…of a world that is shamelessly secular and free from guilt, ready to amuse itself and amuse us.”