‘Made in L.A. 2018’: Why the Hammer biennial is the right show for disturbing times

Christopher Knight | LA Times | 5th June 2018

There is sometimes not a lot to say about biennales. The eponymous biennial in Los Angeles is a little different in its diversity and focus on emerging artists. Rather than revealing a characteristic LA style (“72 suburbs in search of a city”, notes one writer) it provides a cross-section of current artistic practices and preoccupations. More detail on some artists is here.