Magdalena Abakanowicz at Tate Modern: strange, evocative, extremely suggestive tapestries that think they’re sculptures
Alastair Sooke | The Telegraph | 15th November 2022
You probably haven’t heard of Abakanowicz. In the 1970’s, though, her enormous textile sculptures were seen internationally as a commentary on communist Poland. More likely they explored her view that fibre is “the basic element constructing the organic world”. She helped spark a revival in fibre sculpture. Her works, resembling huge coats or hollow trees invite, as one critic puts it, “physical and psychological closeness”. This writer agrees, calling them “a superb contribution to 20th century art”.