The Easel | Art journalism

11th September 2019

How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met

Eve MacSweeney | W Magazine | 27th August 2019

The façade of New York’s Met has four niches intended for sculptures. Empty for over a century they are about to be filled with part African, part futuristic female figures, cast in bronze. This is a signal gesture for an august institution attempting to connect with “the new and the global”. With a forgivable touch of exaggeration, the writer declares “an institution founded on … a Eurocentric view of culture is being turned on its head.”

3rd September 2019

Richard Serra Is Carrying the Weight of the World

Deborah Soloman | The New York Times | 29th August 2019

A critic has suggested that Serra’s minimalist sculptures work primarily via anxiety – the worry of being crushed. If it’s not his “lighter” plate steel works causing the anxiety, it’s his immense forged steel blocks. Serra himself doesn’t seem to connect with this reaction – “deal with the work in and of itself and its inherent properties”, he suggests. True to his word, he notes “this is my heaviest show ever”.

minimalism New York sculpture Serra Richard USA

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