The Easel

30th March 2021

Alice Neel, Painter of the People

Neel didn’t fit her times – a communist in capitalist New York, a feminist before the era of women’s rights, a figurative painter when abstraction was ascendant. Recognition was slow to arrive. Now her paintings, with their bold colours and frank depiction of people, have one critic calling her the “greatest American portraitist of the century”. Her portraits were not exercises in flattery but a “redefinition of how the human condition appears in art.”

23rd March 2021

In search of Irma Stern, whose paintings still embody the contradictions of South Africa

Stern was the classic insider / outsider. She was born in rural South Africa but grew up in Germany. Returning to Capetown after WW1, her modernist style ruffled feathers as did her respectful portraiture of black Africans. After WW2 her acclaim (and white skin) brought support from the Afrikaner government, while she also supported the anti-apartheid cause. Her work, with its contradictory back story, “speaks loudly to our contemporary moment”.