The Easel

26th January 2021

Blockbuster Bloat

When do we reach too much of a good thing? In 1980, Cindy Sherman launched her acclaimed performative photographs Untitled Film Stills. Are her new works just repeating the same ideas? Sherman has been “dulled by decades of A-list indulgence. As pictures have gotten smaller and nimbler, [her] art has gotten bulkier and slower, not to mention pricier. Sherman has become beholden to big-spender audiences who expect the same joke year after year.”