The Easel

15th October 2024

The Louvre’s New Exhibition Takes a Serious Look at the Jesters of Yore

Perhaps we need more jesters in our fractious age. First seen in European visual culture around 1300, they were subversive figures capable of the best or worst in personal and social behaviours. Unrelated to madness, they symbolised the social tensions associated with the development of capitalism. Jesters had faded in popularity by the Enlightenment (after 1600) but have never gone away entirely. A popular figure in the Batman movies was his arch-enemy, the Joker.

The de Young presents the first major American retrospective of Art Deco icon Tamara de Lempicka

It doesn’t hurt in the least for an artist to be in the right place at the right time. In de Lempicka’s case, that meant glamorous, pre-revolutionary St Petersburg and, after 1917, Paris. Developing a style that “blended classicism and modernism, her portraits of the 1920’s and 1930’s brought fame and fortune. Such images, rendered in geometric shapes and metallic hues, epitomize the aesthetic of the Machine Age. De Lempicka is now seen as embodying the “independence of the new woman”. Images are here.