The Easel

16th July 2024

‘Eva Hesse: Five Sculptures’: Humanity and Otherworldliness in the Artist’s Late Work

If minimalism was all about the impersonal, pristine object, post-minimalism was an attempt to re-introduce emotional expressiveness. Using materials like latex and fibreglass, Hesse was a star of the movement. In one work, rubberised canvas was used to create “ghostly wrinkled bedsheets”. Other works “bear the curves, asymmetries, and blemishes of flesh, even if they aren’t figurative”. Sadly, her materials have become brittle and are now falling apart. As Hesse said, “life does not last, art does not last.”

How Images Make the Objects We Desire Seem Irresistible

Product photography first appeared in catalogues in the mid-1800’s. Those early images, compositionally influenced by the still life genre, exploited the “truth claim” of photographs. In 1920’s Paris, product photos expanded the “visual language” of modernism. And, by the 1940’s, the distinction between product photography and fine art photography had blurred completely. After more than a century of change, though, the challenge is still “what makes you pay attention?” Images are here.