The Easel

10th May 2022

Andreas Gursky

Gursky makes photography seem analogous to painting. Some analogies are purely visual. People in a frozen landscape look like a Breugel painting; images of tulips have a “formal similarity” to Rothko. Then there are analogies coming from how he manipulates his images – for example, adding a jet’s contrail to a landscape. That suggests a conceptual analogy – paintings and photography both need an underlying inspiration. Gursky’s current inspiration … “portents of a period of upheaval”.

Matisse’s Miracle in Red

When Matisse’s painted The Red Studio, his adoring patron baulked. Its “flat pictorial figuration” and enveloping Venetian red created “weird spatial architectonics” that, in 1911, were shocking. Ignored for decades it is now thought a masterpiece. Why? Sensing a distant future of contemporary art, Matisse was “an artist turning away from the “real” world of space, structure, color, narrative, surface, and composition — an artist bound for new beauty”. An excellent video with the curator (8 min) is here.