The Easel

1st June 2021

More than four decades into her trailblazing career, Lorraine O’Grady finally has the world’s attention

O’Grady must be quite a talent – trained in economics, then a writer, photographer and a conceptual artist. At 86, after a career as a “gate crasher”, an outsider, she is getting a first retrospective. It shows a career expressing an “unshakable sense of self”. Her fascination with performance and with binaries – male/female, black/white, insider/outsider – have allowed her to “find out who I was and to make it clear to everyone else what that meant.” 

Two Paths for Erotic Sculpture

Eva Hesse and Hannah Wilke entered the art world in the 1960’s when minimalism was under challenge. In different ways they sought to break away from its “rigid, inorganic geometric forms”. Both used unconventional materials – latex, fiberglass, plastics – to achieve a more organic and textured aesthetic. Critics point to the eroticism of their work but is it any more noteworthy than the “phallo-centricism” of their male contemporaries? More images are here.

25th May 2021

Nan Goldin Gets Your P.A.I.N.

“Flashbulb memory” characterises Goldin’s diaristic photography – a way of remembering what happened the night before. A “vast” show of new work draws not just on the drug-addled 1980’s but also on more recent photography. Her work blurs into her anti-opioid activism but this does not stop them adding significantly to “the requiem-like power” of her oeuvre. Showing the “wonder and untold dangers” of addiction is a “reason the camera was invented”.