The Easel

2nd March 2021

A searing, all-star art show explores Black grief from the civil rights era to now

A group show in New York, curated by the stellar Okwui Enwezor, considers racism in the US. Given the complexity of that issue, there is no single message, political or otherwise. Instead, the show is a meditation on grief in the face of anti-Black violence, an emotion that is private and “profoundly destabilizing”.  “An emblematic show” says the writer, combining “deep cultural tradition with a sense of immediate cultural crisis”.

When a museum feels like home

An ode to New York’s Frick Collection and its riches. Frick, “insatiable”, was buying when European aristocrats were skint. He didn’t buy in depth, just “the simply superb—fantastic icing on not much cake”. In just one drawing room “two portraits by Titian, two by Holbein, and a Bellini … a potent El Greco, Holbein’s “Sir Thomas More” and “Thomas Cromwell”. But no nudes – Frick wanted dignity, “laundering the machinations of his avarice”.