The Easel

6th September 2022

Barbara Kruger’s ‘Rabbit Hole’ at MoMA

Kruger is resolutely unorthodox – she exhibits infrequently, does not copyright her works (leading to widespread copying), avoids self-promotion. Her text-focused images don’t bother with subtlety – “more wallop than resonance” as one writer puts it. Yet she is one of very few artists to have significantly influenced our visual world. Confined to just the atrium of New York’s MoMA, her current show is scaled up so that it “overwhelms” the space. Its architecture “screams her messages”.