The Easel

14th May 2019

The ecstatic nihilism of the painter Alberto Burri

After internment in Texas, Burri returned to an Italy impoverished by war. These straightened circumstances suited his interest in unconventional materials – burlap, tar, plastics. His radical idea was to present “material as the subject matter itself”. Rauschenberg and Johns were just two of many disciples. “Brutally gorgeous paintings” says the writer. Images are here.

Nari Ward

In the 1990’s Ward made art using stuff found on the streets of his Harlem neighbourhood. His acclaimed work embodied “the accidental aesthetics of street life” and was, of course, political. Harlem is now gentrifying. Ward’s work is perhaps also changing, less immediately political, more aimed at where “politics and poetics find common purpose”.

7th May 2019

At 84, Sheila Hicks Is Still Making Defiant, Honest Art

A bumpy interview. Hicks likes her tapestries and wall hangings big. Sadly, they are sometimes thrown out when foyers get a make-over. Hicks is unfazed by the implied lack of recognition of her art. Of her piece shown at the last Venice Biennale: “The idea of its monumentality is to envelop you … you’re not thinking about the grains of the sugar. You’re into a very big meringue”. A better, older interview is here.