The Easel

7th August 2018

How polychrome sculpture revolutionised art in 19th-century France

It was only realized in the 19th century that ancient sculptures had been painted in vivid colours. Once the penny dropped coloured sculpture became the vogue. Some felt that to popularize art was to debase it. But the weight of opinion was elsewhere “Coloured sculpture wasn’t just beautiful; it was part of a revolution in what it meant to make and consume art at the end of the 19th century.”

31st July 2018

The Ascetic Beauty of Brancusi

It’s odd to say Brancusi “exploded” onto the art scene in 1913. He could barely sell a work and, for decades, depended on a sole American patron. Such market indifference reflects “the extent to which Brancusi was operating wholly outside the temper of his time, including [radical] Paris.” Given his stature now, this is surely one of the more remarkable transformations in all of art history.