The Easel | Art journalism

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El Anatsui’s Monumental New Show Is an Act of Justice

Jason Farago | The New York Times | 29th March 2019
Rubens had it all — fame, fortune, good looks. But you can’t hate him.

Philip Kennicott | The Washington Post | 11th April 2019
‘A Painter Not Human’

Ingrid Rowland | The New York Review of Books | 9th May 2019
Easel Essay: The Deceptions of Thomas Demand

Morgan Meis | The-Easel | 23rd April 2019
An art historian explains the tough decisions in rebuilding Notre Dame

Jen Kirby | Vox | 16th April 2019
Sean Scully’s Figurative Leap

David Carrier | Hyperallergic | 5th March 2019
Michael Wolf, photographer, 1954-2019

Diane Smyth | British Journal of Photography | 3rd May 2019
Toulouse-Lautrec, Chronicler of the Belle Epoque

Tracy Kendrick | France-Amérique | 3rd April 2019
Devan Shimoyama’s Vision of a Dazzling Black Future

Antwaun Sargent | The New York Review of Books | 9th May 2019
We’ve Been Looking at Jean-Michel Basquiat All Wrong. He Was a Conceptual Artist, Not an Expressionist—and Here’s Why

Blake Gopnik | Authentication in Art | 5th March 2019