Emily Ferguson | The Washington Free Beacon | 18th November 2018
We celebrate Corot for his landscapes. In later life, and more or less in secret, he pursued a sideline – portraits of women. Why he was so reticent is unknown. “Among the most beautiful and underappreciated of the 19th century” says one critic. Degas commented: ““I believe Corot painted a tree better than any of us but still I find him superior in his figures.” More images are here.