The Easel

Archives: Aruna D’Souza

14th May 2019

Nari Ward

In the 1990’s Ward made art using stuff found on the streets of his Harlem neighbourhood. His acclaimed work embodied “the accidental aesthetics of street life” and was, of course, political. Harlem is now gentrifying. Ward’s work is perhaps also changing, less immediately political, more aimed at where “politics and poetics find common purpose”.